U2: Achtung Baby: Acoustic Medley by Jeff Manga'

U2: Achtung Baby: Acoustic Medley by Jeff Manga

U2: Achtung Baby: Acoustic Medley by Jeff Manga

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With all of the recent hype of their sold out shows at Sphere in Las Vegas, U2 is turning heads and is relevant as ever. Sphere’s showcase of their multidimensional masterpiece “Achtung Baby” (released this month in 1991) has rekindled my affinity for the record. I recently took a deep dive into the record and it’s history, in an attempt to educate myself on why this record not only stands the test of time, but has become u2’s crowning jewel and my generations Sgt. Pepper. – Jeff Manga

The year was 1990, and U2, a band that had already conquered the world with their anthems of hope and passion, found themselves at a crossroads. The 1980s had seen them ascend to unparalleled heights with albums like “The Joshua Tree” and “Rattle and Hum,” but as the new decade dawned, the Irish quartet felt the winds of change blowing. It was time for a reinvention.

“Achtung Baby” was not just an album; it was a sonic exploration, a kaleidoscope of emotions, and a daring leap into the unknown. The first chords of “Zoo Station” signaled a departure from the familiar, a sonic departure into uncharted territory. The guitars were edgier, the beats more electronic, and Bono’s vocals took on a raw, visceral quality.

The album unfolded like a tapestry of contradictions – the industrial grit of “Even Better Than the Real Thing” coexisting with the haunting beauty of “One.” Each track seemed to paint a different facet of the human experience, from the frenetic energy of “The Fly” to the introspective depths of “So Cruel.”

What made “Achtung Baby” one of the greatest records ever, was its ability to capture the zeitgeist of an era while transcending it. The ’90s were a time of seismic shifts – politically, culturally, and musically. U2 mirrored this upheaval in their music, blending the immediacy of the present with a timeless, universal quality.

The album’s impact extended far beyond the confines of the recording studio. The Zoo TV Tour that followed was a multimedia extravaganza, a sensory overload that challenged the conventions of live performance. With its satellite linkups, television screens, and elaborate stage setups, U2 brought the spirit of “Achtung Baby” to life on a global stage.

Decades later, the echoes of “Achtung Baby” still reverberate through the corridors of musical history. It’s a testament to the album’s enduring relevance and the audacity of a band willing to reinvent themselves at the peak of their success. In the pantheon of great records, “Achtung Baby” stands tall, a monument to artistic evolution and the transformative power of music.

A Paradigm Shift: U2’s Journey to “Achtung Baby”

Released in November of 1991,  Achtung represented a pivotal moment in the evolution of not only U2’s sound but also the entire music landscape of the 1990s.  This article will explore the impact, evolution, and lasting legacy of “Achtung Baby,” a record that pushed the boundaries of rock music, redefined U2’s identity, and helped shape the sonic landscape of a transformative decade…. 1990’s

To understand the magnitude of “Achtung Baby’s” impact, we must first consider the context in which it was conceived. U2, an Irish rock band formed in 1976, had already achieved monumental success with albums like “The Joshua Tree” and “War.” These albums were characterized by their anthemic, socially conscious songs, and soaring, earnest melodies. By the late 1980s, however, U2 found themselves at a creative crossroads. They had achieved rock superstardom but had grown weary of their own sonic identity.

The Joshua Tree Era: U2’s fifth studio album, “The Joshua Tree,” released in 1987, had catapulted the band to international fame. Its anthems like “With or Without You” and “Where the Streets Have No Name” struck a chord with listeners worldwide, and U2 was heralded as the band of the decade.

The Search for New Horizons: The band’s search for a new musical direction led them to Berlin, a city that had undergone its own transformation after the fall of the Berlin Wall. Here, U2 began experimenting with different sounds and exploring themes of disintegration and transformation, influenced by the city’s own transition.

The Musical Reinvention “Achtung Baby” is celebrated for the musical reinvention it brought to U2’s discography. The album’s sound can be characterized by the following elements:

Industrial and Electronic Influences: U2 embraced industrial and electronic music, evident in tracks like “Zoo Station” and “The Fly.” The band incorporated distorted guitar riffs, electronic beats, and synthesizers into their music.

Lyrical Complexity: The lyrics on “Achtung Baby” delved into themes of love, desire, and confusion, often with a sense of irony and darkness. Songs like “One” and “Love Is Blindness” showcased a more introspective and enigmatic side of U2.

Experimental Song Structures: The album featured non-traditional song structures and arrangements, breaking away from the verse-chorus-verse pattern. This experimental approach challenged the listener’s expectations and pushed the boundaries of rock music.

Eclecticism: “Achtung Baby” incorporated a wide range of musical influences, from bluesy rock to dance beats. This eclecticism allowed U2 to bridge the gap between rock and alternative music, opening up new avenues for experimentation.

The Visual Reinvention The transformation of U2 was not limited to their sound; it extended to their image and stage presence. This visual reinvention played a significant role in shaping the 90s music scene.

The Fly and ZooTV Tour: U2’s alter-ego, “The Fly,” became a central figure in the album’s promotional material. The character, portrayed by Bono, donned eccentric sunglasses and a leather outfit, embodying a more flamboyant and self-indulgent persona. This character was central to the groundbreaking ZooTV Tour, which used multimedia, television screens, and satirical commentary to redefine the concert experience.

Iconic Album Cover: The album’s iconic cover, designed by Steve Averill, featured a striking image of a man in drag, embracing his distorted reflection. This visual representation of transformation and ambiguity resonated with the album’s themes and signaled a departure from U2’s earlier, more straightforward imagery.

Achtung Baby’s Influence on the 90s Music Scene The release of “Achtung Baby” sent shockwaves through the 90s music scene, reshaping it in numerous ways:

Alternative Rock’s Evolution: U2’s embrace of electronic and industrial elements helped pave the way for the alternative rock movement of the 90s. Bands like Radiohead, R.E.M., and Nine Inch Nails drew inspiration from U2’s willingness to experiment with sound.

Lyricism and Authenticity: “Achtung Baby” encouraged a more introspective and open approach to songwriting. It inspired a generation of artists to delve into deeper, more personal lyrical content, as seen in the grunge movement’s confessional style.

Visual Spectacle in Live Performances: U2’s ZooTV Tour set a new standard for live performances, with its use of multimedia and satirical commentary. It influenced a wave of bands to consider the visual aspects of their shows as an integral part of the live experience.

Genre Fusion: U2’s willingness to cross musical boundaries inspired a wave of genre-blending in the 90s. Bands like Beck, Beck, and The Chemical Brothers incorporated elements of rock, electronic, and pop into their music, mirroring U2’s eclecticism.

Blurring of Gender and Identity: The album’s visual representation, with its drag imagery, contributed to a broader cultural shift in the 90s, challenging traditional notions of gender and identity. This was echoed in the androgynous image of artists like David Bowie and the rise of LGBTQ+ representation in music.

The Lasting Legacy “Achtung Baby” remains an enduring masterpiece and continues to influence music and culture. Its legacy can be observed in several key areas:

U2’s Ongoing Evolution: U2 continued to evolve in the decades following “Achtung Baby.” Albums like “Pop” and “Zooropa” further explored electronic elements, while their more recent work has returned to their rock roots, showing a band unafraid of reinvention.

The Relevance of the Album Format: “Achtung Baby” reaffirmed the power of the full-length album as an artistic statement, an idea that would be tested in the digital age but still holds importance today.

Inspiration for Later Generations: Newer artists continue to draw inspiration from “Achtung Baby,” as its sound, experimentation, and themes of transformation remain relevant.

Iconic Live Performances: The ZooTV Tour set a high bar for live performances, and U2’s ability to craft epic and visually stunning shows has influenced modern stadium acts like Coldplay and Muse.

Social and Cultural Impact: Beyond music, “Achtung Baby” played a role in challenging societal norms and promoting greater acceptance of diverse identities and expressions.

“Achtung Baby” by U2 is a testament to the power of reinvention and artistic risk-taking. It transformed U2’s sound and image, blazed a trail for alternative rock, and set a standard for live performances that still influences the music industry today. Its impact reached far beyond the realm of music, contributing to a cultural and social shift that defined the 90s. As we reflect on the album’s legacy, it is evident that “Achtung Baby” not only changed the music scene of the 90s but left an indelible mark on the trajectory of rock and popular music as a whole.

Making the Masterpiece : The Struggle 

U2, had achieved unparalleled success with albums like “The Joshua Tree” and “Rattle and Hum.” By the late 1980s, however, they found themselves at a creative crossroads. The pressure to maintain relevance, coupled with personal and artistic tensions, led them to embark on a transformative journey in the creation of “Achtung Baby.”

Setting the Stage

The late 1980s were a tumultuous time for U2. The band was grappling with the changing landscape of music, evolving from the politically charged anthems of their early career to a more introspective and experimental sound. The success of their previous albums had set a high standard, and the band felt the need to reinvent themselves to stay ahead of the curve.

Creative Conflict

One of the central struggles during the making of “Achtung Baby” was the internal creative conflict within the band. U2 had long been known for their anthemic, socially conscious rock, but some members felt the need for a departure from this familiar territory. Bono, the lead vocalist, and The Edge, the guitarist, were pushing for a more experimental and electronic sound, while bassist Adam Clayton and drummer Larry Mullen Jr. were initially resistant to this change.

The Berlin Sessions

In an attempt to break free from their creative impasse, U2 decided to move their recording sessions to Berlin in 1990. The city, known for its avant-garde art scene and rich history, provided the band with a fresh perspective. However, the recording process was far from smooth. The tensions within the band escalated, and the creative differences threatened to tear them apart.

The Influence of European Culture

The move to Berlin wasn’t just a change of location; it was a cultural shift that deeply influenced the album’s direction. The city’s vibrant and diverse atmosphere seeped into the music, giving it a more eclectic and European flavor. The band drew inspiration from the electronic music scene, incorporating synthesizers and unconventional production techniques.

Achtung Baby Takes Shape

Despite the initial challenges, the band gradually found common ground during the Berlin sessions. The breakthrough came with the creation of tracks like “One” and “Mysterious Ways,” which showcased a fusion of their rock roots with the newfound electronic and dance influences. The album started to take shape, and the band began to embrace the sonic evolution they had been striving for.

Personal Struggles

In addition to the creative challenges, the making of “Achtung Baby” was marked by personal struggles within the band. Bono’s marriage was under strain, and he was facing an identity crisis. This personal turmoil found its way into the lyrics, adding a layer of vulnerability and authenticity to the album. The introspective nature of the songs reflected the band members’ individual journeys during this period.

The Fly and Zoo TV Tour

The release of “Achtung Baby” was accompanied by the enigmatic persona of “The Fly,” a character Bono adopted during the album’s promotion. The Zoo TV Tour that followed was a multimedia spectacle, incorporating cutting-edge visuals and technology. The tour reflected U2’s commitment to pushing boundaries not only in their music but also in their live performances.

Critical Reception and Legacy

Despite the initial skepticism from some fans and critics, “Achtung Baby” was met with widespread acclaim upon its release. The album’s sonic experimentation and emotional depth resonated with listeners, solidifying U2’s status as one of the most innovative and enduring bands in rock history. The legacy of “Achtung Baby” extends beyond its critical success, influencing a generation of musicians and shaping the future of rock music.

Conclusion

The struggle U2 faced in making “Achtung Baby” was a pivotal moment in their career. It was a journey of self-discovery, creative experimentation, and overcoming internal conflicts. The album’s success was not only a testament to the band’s resilience but also a reflection of their willingness to evolve and take risks. “Achtung Baby” stands as a landmark in the history of rock music, a testament to the transformative power of artistic struggle and the pursuit of authenticity.

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Viva La Rockabilly: The BuzzHounds, 3 On the Tree, Jenny V James, at Brauerhouse Live'

Viva La Rockabilly: The BuzzHounds, 3 On the Tree, Jenny V James, at Brauerhouse Live

Viva La Rockabilly: The BuzzHounds, 3 On the Tree, Jenny V James, at Brauerhouse Live

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Details
Event by Brauer House Lombard: BuzzHounds, Jenny V James and 3 on the Tree
Brauer House Lombard
Tickets · $7 – $60
via Eventbrite

Doors 7:30
Show 8:30




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The BuzzHounds : Momma’s Gotta Get Her Shoppin’ Done !'

The BuzzHounds : Momma’s Gotta Get Her Shoppin’ Done !

The BuzzHounds : Momma’s Gotta Get Her Shoppin’ Done !

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The BuzzHounds: Momma’s Gotta Get Her Shoppin’ Done !

Available now on Spotify, Itunes, Amazon, YouTube and everywhere in between!

Happy Holidays from the BuzzHounds !

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The BuzzHounds : Go Chicago Go'

The BuzzHounds : Go Chicago Go

The BuzzHounds : Go Chicago Go

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The BuzzHounds boogie with the release of “Go Chicago Go” in stores and online June 3rd.  They will celebrate the release with an outdoor show at Brauerhouse in Lombard on June 13th.

The gig:  “Tire Swarm Custom Car and Bike Roll” will feature great food, drinks, music, and a custom car and bike roll in.

The spot: The Brauerhouse is located at 1000 N Rohlwing Rd, Lombard, IL

Cars and bikes roll in after 6, the event starts at 7  and the BuzzHounds hit the stage at 8.

It is going to be a great time…. see you there.

 

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The BuzzHounds : Cold Beer and Whiskey'

The BuzzHounds : Cold Beer and Whiskey

The BuzzHounds : Cold Beer and Whiskey

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“Cold Beer and Whiskey’”, the third single from “Chicago Go Go!” is an upbeat, jump blues style, rock and roll song about a guy and girl having a good time at the bar.

Heavily influenced by such artists as Led Zeppelin, SRV, and The Rolling Stones, The BuzzHounds meld alternative vocal stylings with Delta and Jump style blues to form their own brand of Americana and Rock n Roll. Check out their 5th studio album, “Chicago Go Go” online now !

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The BuzzHounds : It’s Christmas Again, Kill Me Now !'

The BuzzHounds : It’s Christmas Again, Kill Me Now !

The BuzzHounds : It’s Christmas Again, Kill Me Now !

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It’s Christmas again, and its gonna be blue, baby its cold outside on the avenue
Dolly wants a brand new pair of shoes, and I need a shot of something man… how bout you?

Let’s put up a tree, and light it WOW it’s Christmas Again! KILL ME NOW!

The kids are home and outta school, n’all the people spending money like a bunch of crazy fools,
On new phones, new hats, new shoes and new drawers, and the 422nd rendition of StarWars !

Legos, Dolls, Cats, and a Purple Cow !
It’s Christmas Again…. Kill Me Now !

…So how much $cash$ can crack my nut, and how much booze can I put in my gut…?
I had to park 2 miles from the shopping mall, just hear a drunk Santa Claus sing “Deck the Halls

…Somebody give me a stiff drink now, cuz it’s Christmas Again…
KILL ME NOW !!!

 

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The BuzzHounds Release We’re All Buzzin’'

The BuzzHounds Release We’re All Buzzin’

The BuzzHounds Release We’re All Buzzin’

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We’re All Buzzin’

by The Buzzhounds

We’re All Buzzin'”, the second single from “Chicago Go Go!” is a fun song about having a good time with the boys. The song is written in the 1st person, and starts with our subject daydreaming of a girl while at work, and thinking of his plans later that night.  The song sites Chicago’s storied “Wicker Park”,  and has a climactic hook as our fella arrives on the scene and joins his friends for an epic Chicagoland bender….. Sooo… “Crack another beer, have a shot ‘cuz I’m here it’s another wild ride tonight…  and role another number like we did when we were younger and hold on tight… you best believe me when I’m sayin’ that “We’re all Buzzin Out Tonight”! 
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BuzzHounds Boogie with New Release'

BuzzHounds Boogie with New Release

BuzzHounds Boogie with New Release

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Grab a drink and get ready to swing when The Buzzhounds hit the stage at Palatine’s Mac’s on Slade this weekend. The bluesy band — Jeff Manga, Marko Lira and Bob Miller — drops its fifth studio album, “Chicago Go Go,” Friday in time for the show, and if the recent single, “Lip Stick Smack,” is any indication, it’s going to be a lively one. Catch all the raucous, rockabilly energy at this weekend kickoff show. Mac’s on Slade, 117 W. Slade St., Palatine. (847) 907-9621 or macsonslade.com. 8:45 p.m. Friday, June 22 ( Check the links above)

Brian Shamie Northwest Herald

Check out “Lip Stick Smack” by the BuzzHounds!

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Dangerous Ride by the BuzzHounds: Listen Here !'

Dangerous Ride by the BuzzHounds: Listen Here !

Dangerous Ride by the BuzzHounds: Listen Here !

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The BuzzHounds: “Dangerous Ride”.

Blues, Rock, and Americana mixed with an Acoustic and Alternative flair… This multi genre compilation is a welcome addition to a storied Chicago Blues Scene. (ChiTown Rocks Magazine)

Heavily influenced by such artists as Led Zeppelin, ZZ Top, Townes Van Zandt, and The Rolling Stones, The BuzzHounds meld alternative vocal stylings with Delta Blues and 70’s Outlaw Country to form their own brand of Americana and Rock n Roll.

The title Track, “Dangerous Ride” comes out of the gate galloping to a swingin’ four on the floor beat, peppered with a thick boogie blues bass line and a catchy turn around hook. “We wanted to write a song that made you feel like you do when you ride around in a classic convertible… like a ragtop ’59 Cadillac…and use that feeling as a metaphor to describe the ride as it compares to a beautiful woman”…dangerous.

“Cinderella Needs New Shoes” is a down tempo acoustic duet penned from the likes of 70’s outlaw country era icons Gram Parsons and Emmylou Harris. The song features a beautiful vocal harmony and a classic song structure, making it both singable and memorable…. sweet and smooth.

“I Quit” is a modern day “Take This Job and Shove It”. This Johnny Paycheck tribute was recorded with vintage gear from the 50’s and early 60’s including a ’59 Gretsch Chet Atkins 6120 guitar, and a ’62 Fender Princeton reverb.

“We used a full tone tape delay to get that rockabilly “slap” on the vocal, set at 10 milliseconds, just like Elvis did at Sun Studio.” …classic rockabilly.

“Say a Prayer” is a three chord country blues throwback with a Muscle Shoals feel, using the same gear and recorded on the same day as “I Quit, with stripped down acoustic drums. The song has a “Waylon Jennings meets golden era Rolling Stones” feel, and explores a familiar hometown lost love motif…reminiscent.

Initially recorded during the “Weapons of Mass Seduction” sessions, “Rollin” is an audible family tree, spanning 7 decades in 4 minutes, detailing early family influences and saluting Jeff’s grandfather, Ulas Taylor, a Nashville musician and Kentucky coal miner…old school.

“On Fire” is a full throttle screamer, featuring a searing Robert Plant style hi octave vocal, an overdriven slide guitar riff, and huge Bonham style drums. “We used a vintage Moog analog synth for some of the bass parts and this is by far the most produced song on the record…we spent days on the drum sound alone. We wanted the song to be way over the top on every level and we filled every ounce of headroom with frequency.” …slammin’.

“Queen of Diamonds”. The record shifts gears with this melodic down tempo acoustic number, channeling the acoustic prowess of Chris Cornell and Jimmy Page. “With the open guitar tuning and down “swing” tempo, we wanted to give the listener the illusion of floating on water.” Emotional and moody, the song takes the listener on a 3 minute rise and fall journey, conveying in emotion, the ups and downs of life’s great rollercoaster… dreamy.

“Give to Live,” written along side “Rollin” during the Weapons’ sessions, is another ode to family and a modern day proverb which drives a positive vibe and attempts to simplify the secret of life with the hook… “There ain’t no secret to livin’, just got to keep on givin’ and givin'”…Kid Rockish.

“Save My Soul” is a heavy metal gospel hymn in which the vocalist pleads for the safety of his soul in the afterlife. This track is reminiscent of Led Zeppelin’s “In My Time of Dying”, and is stripped down with only a heavily overdriven guitar, kick drum, and vocal. “We used a vintage Octavio pedal, the same one Hendrix used on almost everything he did with “Band of Gypsies” for the solos”…. wide f’n open.

Finally, “Endless” ends the record with a paradoxical acoustic discussion about life’s greatest mind-blowing thief….time. The song features a 3 part octave and melodic minor harmony mirroring “Alice in Chains” and a 12 stringed stereo panned acoustic rhythm guitar…. philosophic.

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Lip Stick Smack'

Lip Stick Smack
May 26, 2018

Rockabilly meets 60's Surf in this "Boy Meets Girl" Classic style Rock and Roll Track.

Lip Stick Smack

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The BuzzHounds summon Rockabilly and 60’s Surf sounds in this classic style, Stray Cats’y Rock and Roll Track.

As soon as the opening riff of “Lip Stick Smack” hits, the listener is drenched in a wave of arch-top guitar nostalgia and dreamy reverb. Drums quickly follow suit, building to a controlled roar and laying the thundering swing foundation to the song’s boogie woogie vibe.

“Lip Stick Smack”….. Check it out !

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